Lyric Coloratura Soprano
The Reviews are In!
Holly Chaplin was an impressive Adina. She has what it takes to be a Donizetti heroine – emotional depth in her lower tones and the vocal intensity needed to support the leaps, runs, and trills of a lyric coloratura. Her stage presence was strong, making her character vivacious and determined"- Dawn Martens | Nov 8, 2024 Opera Canada
Sebatiaan Oosthout and Holly in Nijmegen, Netherlands. 01/20/2024
"I was impressed with the way Holly Chaplin sang Léontine, the object of Valcour’s affections & mystery gifts. It’s quite different from The Queen of the Night, which I heard her sing in Richmond Hill recently. Léontine also has coloratura and a few high notes, but also dramatic legato passages. It’s a daunting role that sometimes lies low, but Holly was up to it."
-Leslie Barcza on L'Amant Anonyme, Opera in Concert.
Barcza Blog 19/03/2023
"Holly Chaplin’s Queen of the Night was sung as well as I’ve ever heard the role sung, and with the aid of Richmond Hill Centre’s superb acoustics, her pinging coloratura was especially dazzling."
-Leslie Barcza on Magic Flute, Opera York.
Barcza Blog 06/03/2023
" Holly Chaplin is particularly impressive as Léontine and manages a nice mix of power and agility especially in her big aria in the second half."
John Girks, Opera Ramblings. March 2023.
"The stand out performance came from soprano Holly Chaplin who charmingly portrayed the devious Susanna, adding several well-placed octaves which showed off her clear, almost bell-like, top register."
-Matthew Timmermans "Voicebox-I due Figaro. Opera Canada. vol.58 no.4. Winter 2018
"Holly Chaplin, who plays his lady love Cunegonde, bangs those high notes in “Glitter and Be Gay” with the ease of someone flipping an errant hair out of her face. And, like Candide, we get to watch her grow from being a sex object to a wise woman."
-Lynn Slotkin "Review; Candide(Barrie)" Nov.27th 2017 Intermissionmagazine.ca